Headshots that match.

What a headshot session looks like

I arrive early and build a small studio in whatever room you can spare. Two lights, a backdrop, and enough space for somebody to stand two metres from the camera. It takes about twenty minutes to set up and the same to clear away.

People come through one at a time on a booking sheet, usually between meetings. Nobody has to block out a morning. I direct as we go, because almost everyone says they hate having their picture taken and almost everyone is fine once somebody tells them what to do with their hands.

Why consistency matters more than any single portrait

A leadership page is read as a group, not as twelve separate pictures. When the lighting, background and crop are the same across the set, the page looks deliberate. When they are not, it looks like the company could not organise a photographer, which is the opposite of what the page is for.

That is why I keep the setup on file. When you hire six people in March, they can be photographed against the same background under the same lights, and they will sit beside the existing team without any visible join.

What you get afterwards

Every selected frame is edited individually: colour, exposure, and a light retouch that removes the distraction of a stray hair or a shine on the forehead without turning anyone into a waxwork. Files arrive in a private online gallery, ready for LinkedIn, the website, the annual report and the press pack, with full commercial rights and no per-use licensing.

Where I work

I am based in South Cambridgeshire and cover Cambridge and the rest of East Anglia without a travel charge. For companies with several sites, I travel further and keep the setup identical at each one, which is usually the whole point of the exercise.